Practice  practice practice

 Jon's Snow Glow                                   


By Timothy Fenwick


Original watercolor painting on Arches medium texture 300 lb. cold pressed paper


This is actually my very first watercolor painting.  I was slow to learn and really was afraid to make a mistake. So much so that I  went at a snails pace.  When I decided to relax and allow myself to make a mistake or two, I wasn't so stiff and determined in my movements. Letting go and allowing a few accidentals (unintentional events while painting) gave me a not too shabby result.  As I mentioned before, the white of the paper must be protected (masqued) in order to get the brightest white possible, but I inadvertently corrupted the white area of the sunrise, so I cheated and used an airbrush and a little acrylic paint to get the brightness and glow effect. I say "cheated" because purist watercolorists insist that unless all the colors; excuse me COLOURS, are transparent pigments, it isn't a true watercolor work. See the results of my cheating and tell me it is a bad thing.............The guy I sold it to disagreed with the purists, and so do I. How about you?     If you give watercolor, or any painting medium a try...don't sweat the small stuff!  Just learn a few always and never principles of technique and practice practice practice!

   


 " That's Close Enough.." African Elephants


By Timothy Fenwick



Original Watercolor painting on Arches rough texture 300 lb. cold pressed watercolor paper


Truly beautiful subjects don't need a background necessarily. They say "I'm beautiful" just as they are.  I typically paint in realistic style so it is a departure from the norm for me to have no formal background. When you are as pretty as these two girls are, a background would distract, I think. How about you?


 
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